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SAN (산, Mountain): Exploring Korean Landscapes and Eternal Truths through Dansaekhwa

In her artistic journey, Hanna Mi Kim finds herself immersed in the timeless tradition of dansaekhwa, using mono color  to depict Korean landscapes adorned with majestic mountains. SAN, as she has come to name this series, extends beyond mere landscapes; it serves as a profound metaphor for nature, the stirring emotions evoked by her motherland, and the enduring truths that connect us  our roots.

The heart of SAN lies in the process—an ever-revolving, never-ending cycle that she embraces with unwavering devotion. With each stroke of her brush, each layer of paint meticulously applied and then subtly altered, I delve deep into the canvas. This process is both physical and spiritual, a meditative journey that transforms mere materials into a vibrant, living testament to her connection with the world around her.

Through SAN, she aims to capture not just the physical beauty of Korean landscapes but the very essence of her homeland. The mountains in these works stand as guardians of tradition and symbols of timelessness. They remind us that while the world changes, the core of our culture and heritage remains unwavering.

With every brushstroke, she experiences the subtlety and unpredictability of creation. Each step, each layer, is an encounter with the unknown—a dance between intention and serendipity. This unpredictability becomes a source of inspiration, infusing her work with depth, emotion, and a profound sense of connection to the rich artistic legacy of dansaekhwa.

SAN is her canvas, her meditation, and her homage to the eternal truths that reside in the heart of the Korean landscape. Through this series, she invites viewers to embark on a journey of reflection, to find their own connection with the intricate interplay of nature, culture, and the human spirit. SAN, like nature itself, is a testament to the beauty that emerges from repetition, patience, and an unwavering reverence for our roots.